Hillbilly Winos are an alternative country band featuring edgy songs with a lot of heartfelt playing. Acoustic instruments including Guitar, Dobro, Violin, Mandolin, squeeze box, harmonica and percussion.
"Tuneful and lyrically intriguing, Hams [+]Hillbilly Winos are an alternative country band featuring edgy songs with a lot of heartfelt playing. Acoustic instruments including Guitar, Dobro, Violin, Mandolin, squeeze box, harmonica and percussion.
"Tuneful and lyrically intriguing, Hams songs compare favorably to Steve Earle and Uncle Tupelo."
Kevin McKeough, Chicago Tribune
AltCountryTab.com Review (Great Britian)
Review by: Doug Floyd
"The Hillbilly Wino's are a three piece made up of Jeff Ham, Matt Teolis and Kent Arnsbarger who are supplemented by 'Honorary wino's: Steve Doyle on dobro, Jim Teolis on upright bass and Ludmilla Ludkovsky on violin. They have been around for three years or so, touring mainly in the Chicago and Northern Indiana area. Essentially the conduit for the writing of Ham, this is a great record with which to establish the credentials of a new band. The Wino's combine country rock and folk in a manner rather reminiscent of John Mellencamp's "Scarecrow" and "Lonesome Jubilee" period albums, with particular accent on the twang as well as a number of examples of stunningly delicate and honest song writing. Though you would never believe it from the excellent production, this album was recorded (as the title states) live in the living room of Jeff Ham on a Roland digital hard disk recorder. The sound of this album hits you pretty straight between the ears, there is a wasted back-road country feel with sparse use of slide dobro and occasional fiddle bringing just the right tone of lonesomeness to the dealings. With attention paid to melody and pace, every song nuzzles into the memory banks like a faithful old hound after just one or two listens. A similarity to fellow Indiana songwriter Mellencamp cannot be ignored but there is also a taste of Steve Earle there too, especially with the presence of "John Dillinger" a story song very much in the Earle mould.
The set starts up with a fairly pedestrian "Asphalt Skin" a pleasant enough tune, but maybe not dynamic enough for the entry level song, but ?The Grind? more than makes up for it. A startlingly bleak contemplative narration of the being stuck in a rut (boy do I know that feeling) and what a man would do to get out of the daily grind of the title. ?Spirit dance? assumes a ragtag country blu
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