Spawned from a dirty rehearsal hole in Brooklyn NY, In Fervor have, since early 2003, been commanding attention with their intense live shows all over NYC and beyond.
Anatomy of a Memory is the band's first recording and is a certain indication of [+]Spawned from a dirty rehearsal hole in Brooklyn NY, In Fervor have, since early 2003, been commanding attention with their intense live shows all over NYC and beyond.
Anatomy of a Memory is the band's first recording and is a certain indication of very interesting things to come from these four individuals. It's a type of music that's strange enough to be hard to put your finger on, but familiar enough to speak universally.
Some reviews:
The songs are visceral and as intelligent as its gets. Listen to how thick the bass is on "18 Ager", just absolutely beautiful tone. In "Anatomy of a Memory", In Fervor gives us great indie rock for the ages that's both intense and invigorating with an emphasis on songwriting rather than just writing great hook after great hook."
-J-Sin, Smother.net
"These guys really burn with the red-hot embers of passion and desire, what killer music this is!" "...Thanks In Fervor, you gave me faith in new music!"
-Keith "MuzikMan" Hannaleck
"A perfect cloudy day listen, In Fervor is as welcome as a bowl of hot soup on a snowy day. Solid indie rock thats better then most new major label shit thats being oversold at your local megamall. Smooth production shines thru out this EP making songs like "18 Ager" and "Hammer Song" reasons enough to keep hitting replay on the CD player. A kick ass effort and the best thing is the band is selling this gem for 5 bux and free shipping! Tasty! Want to hear more? Buy the EP!"
-Here and There E-Zine
"In Fervor prove to have mastered the value of restraint during this short album, which had the case been otherwise, the band's intelligent edge would have been lost.
"'Hammer Song' opens the album as Richard Martin's husky voice croons over a skittish riff that's a conglomerate of David Kaplan's melody-carrying bass playing, Wayne Schneiderman's intricate drums work, and Mark Bannayan's lead guitar counterpoint. The ever-changing refrain displays so many chord changes and points of emphasis, setting the precedent for the rest of the album's good use of transitions and understanding of tonal shade. Rather than break into angry-rock-core, Martin instead imbues some whispered intensity to a few choice words during this track: a fine choice. By the time we reach the histrionic
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