For the last two decades, Jon Gibson has been one of the best kept secrets in popular music - but don't tell that to his legion of fans. Tough to describe and tougher to classify, Gibson's a white guy who sounds like Stevie Wonder, a sweet balladeer [+]For the last two decades, Jon Gibson has been one of the best kept secrets in popular music - but don't tell that to his legion of fans. Tough to describe and tougher to classify, Gibson's a white guy who sounds like Stevie Wonder, a sweet balladeer who pioneered Christian rap, and a singer who reeks attitude in his mission of justice and ministry.
After returning from service in the Army at age 20, Gibson was signed to Dick Griffey's new Constellation label. For days Griffey had great fun tricking a number of his Solar artists with Jon's tape (they thought it was Wonder). Jon's debut came as a guest vocalist for 3 songs on Bill Wolfer's Wolf album. During the process of making that album, Jon met his musical idol, Stevie Wonder, and worked with a crew of great musicians, including Michael Jackson. Wolfer returned the favor the next year by producing Gibson's debut album, Standing on the One. It was a fine debut, showing that Gibson was more than a Wonder-clone, and that he had songwriting skills to go with his great voice.
But Gibson was torn between his desire for pop stardom and his need to give testimony to his Christian faith, and he signed with the Frontline Christian label for On the Run, a partial re-release of Standing with a few new cuts, including the CCM #1 "God Loves A Broken Heart." It became the first of a string of over 20 top ten CCM hits.
On his next album, Change of Heart, Gibson released the beautiful ballad "Friend in You" as well as the first CCM rap hit, "This Wall," featuring a then-unknown rapper named MC Hammer. By this time, Gibson was regularly topping the CCM charts, and his next two albums, the wonderful Body and Soul (with Stevie Wonder on harmonica) and the edgier Jesus Loves Ya, moved him to the head of Contemporary Christian artists. The title track of the latter LP stayed at #1 for eleven weeks and became the top selling CCM single of 1991. He then followed with Forever Friends, which yielded 5 top ten hits.
Frontline Records ran into serious financial trouble and Jon decided to create his own record label, resulting in a nearly 3 year hiatus before his next disc, Love Education, perhaps his best and most eclectic release.
Jon then got married, had children, and took time off from his music. Sur
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