Near-Life Experience by Kevin Bartlett
Backroads Music picks as one of the Top 5 albums That Matter Most for 2003
Musical Starstreams #6 of Top 20 releases for 2003
Echoes Staff Picks Near-Life Experience #18 of Top 25 for 2003
Over 70 mi [+]Near-Life Experience by Kevin Bartlett
Backroads Music picks as one of the Top 5 albums That Matter Most for 2003
Musical Starstreams #6 of Top 20 releases for 2003
Echoes Staff Picks Near-Life Experience #18 of Top 25 for 2003
Over 70 minutes of the most cinematic electro/symphonic music you'll hear anywhere. Evoking the styles of Enigma, Mike Oldfield and Patrick O'Hearn, these Sci-Fi soundscapes, other - worldly , emotionally charged Tone Poems and Celtic Symphonica are the 21st Century Soundtrack for the movie in your head. Dust off your headphones and watch your mind.
Near-Life Experience by Robert Lovejoy rlovejoy@comcast.net Rating: 10
I have had the good fortune to have heard Kevin Bartlett's new and unusual album "Near Life Experience".
The album is amazing on several counts. First and foremost, the music. Kevin's album is divided into ten songs but plays cohesively. The first thing I thought of upon first listening was the orchestral music of the Romantic period, albeit with a broader swath of timbres and tonal palettes then were available to composers of that era. On this album you hear evocations of woodwinds, didgeridoos, orchestral strings and rock bands. Add to the mix some astonishing ambiance, and you have a recording with quite possibly the most fascinating musical colors ever..
Beyond the tonal palette are the musical structures Kevin has crafted. You'll hear a smattering of atonal sounds, one or two stretches of straightforward tonic or root/fifth ostinato, some very cool rock progressions, and some extremely complex heavily composed music, all of it quite breathtaking.
Throughout the album, there are stretches of voices. Whispering, echoing, announcing, incanting voices swathed in echo and reverb. It's a motif that ties the album into a cohesive whole. There is also some fine singing now and then by a female singer who sounds classically trained. Most of the album, however, is instrumental, and it is startling to realize that Kevin is playing all (or at least most!) of them. As my wife listened with me, she noted that it must be incredible having that many things going on in your head. I've always been impressed by Mike Oldfield's solo works, but here we come to the tonal palette a
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