Rik Barron was born and raised in St. John’s, Newfoundland. The veteran musician has performed throughout Canada, the United States and Europe. A consummate performer, Rik entertains his audience with a seamless blend of great baritone singing, exper [+]Rik Barron was born and raised in St. John’s, Newfoundland. The veteran musician has performed throughout Canada, the United States and Europe. A consummate performer, Rik entertains his audience with a seamless blend of great baritone singing, expert playing and irreverent humour.
It's perhaps best to see what other people say about the recording to get a better sense of what's inside.Two of the CD's reviews are reprinted below.
Rik Barron. The Quiet Faith of Man
Here is a recording that is a real pleasure to hear and to have out in the world! Included on this eleven-track CD are three equally represented categories: Canadian compositions, American-authored pieces and traditional material. Six of the tracks are songs (with vocals) and the remaining five are instrumental tunes featuring Rik on mandolin, mandola or 5-string banjo.
One thing that impresses me about Rik’s vocal presentation is that he places on each song a stamp of gentle power, whether it be on a light-hearted offering or on something quite serious. Barron has a voice capable of soothing the ears while at the same time holding the listener’s attention to the lyrical content.
The material is very effectively ordered on this recording, and the flavour of the title track, by Bill Staines (“The Quiet Faith of Man”) permeates most of the entire album. However, Rik does surprise the listener two-thirds of the way through with a powerful rendition of “No Place For Children” (by Daniel Master), which is a hard-hitting song about some of the world’s more serious social and justice issues. Following this track up with an instrumental version of “ Come Thy (Thou) Fount of Every Blessing” is a masterful way to carry the listener into some reflection time for the preceding song.
I was impressed by Rik’s use of the 5 string banjo on three of the instrumentals- another surprise; he features the banjo on the three pieces with slower tempos, and reserves the fast playing for the mandolin and mandola on the two remaining instrumental tracks. Barron’s respect for banjo player Tony Ellis is evidenced by coverage in the liner notes and inclusion of two of Ellis’s original compositions on the CD.
It was somewhat refreshing to discover a CD on which the artist did not write or compose any of t
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