“THE GOOD FELLAS”
The most cursory glance down the roster of America’s most popular troubadours, immediately reveals one prime and inescapable fact- the majority are of Italian-American extraction. Caruso, Sinatra, Como, Prima, Monte, Bennett, Dar [+]“THE GOOD FELLAS”
The most cursory glance down the roster of America’s most popular troubadours, immediately reveals one prime and inescapable fact- the majority are of Italian-American extraction. Caruso, Sinatra, Como, Prima, Monte, Bennett, Darin…the list seems endless. “Why”, many an eager bobby-soxer has asked “are so many of the great singers Italian?” Why, indeed? The answer is, of course, to step into the history and folkways of a people that it would take thousands of words to explain. But, we can briefly say, it’s because of their warm-hearted, unrestrained humour and passion for life. As a part of this good company we can find “THE GOOD FELLAS”. Better known as the “GANGSTERS OF SWING”, dressed in old fashioned, strictly Italian made, double breast Capone suites, wearing two tone shoes, laughing at life like everyone does deep down in the land of pizza and mandolino. To be a “good fellow” means to be a true gentleman, loyal and respectful of strong heritage and traditions., It means to smell of the full Italian flavour, while always hungry for a lady’s kiss among the scene of a Neapolitan moonlight. What they do best is the well-known, truly genuine, Italian way of entertaining known the world over. Swingin and jokin’ all the time with the audience in that half Italian, half English, macaroni language. This band truly swings from “Oh Marie”, “Tu vuo fa l’americano”(You wanna be American) to Basie’s “Whirly Bird”, and from Haley’s “A rockin’ little tune” to Lou Monte’s Italian version of Fats Domino’s classic Rock’n’Roll “I’m Walkin”. They walk the junction between Italian American and Afro American music, follow the steps of the giants of swing era, spacing from a shuffle beat to a Philly houserock to Texas blues. Like many of the Italian citizens of the World War II age, the GOOD FELLAS feel the “American Dream”, falling in love with the American brashness, cleverness, then impossible madness, but never really thinkin’ to leave the country of sea and sun, their food, their roots. Lean against his big bass, he’s the boss, Mr. LUCKY LUCIANO, created his own way of swingin’ way back in 1993, always guarded by his “shadow”, boxeur/drummer BUM BUM LA MOTTA. With an experience of more than 100 gigs every year, these great musicians entertained the a
|
 |